"Three large-scale multimedia installations included in the 2009 Senior Capstone Experience Exhibition explore issues ranging from the disappearance of natural environments, to medical alteration of identity, to meditation on our growing exposure and indifference to images of traumatic events," said Assistant Professor of Studio Art Monika Weiss, who curated the exhibition. "Although each installation was created with a specific conceptual focus, the works in the exhibition share an aesthetic approach that favors delicacy and attention to the small, the humble and the poetic, while tackling the ethical."
Click to enlarge photos by Thor Deegan '10.

"Side Effects May Include...," a photographic and sculptural installation by Cori Saul '09 examines society's obsession with medications, specifically antidepressants and their role in reinventing, altering and damaging personal identity. Positioned close to the floor level and displayed as one long line, the 20 black and white photographs of Saul's face represent the artist holding a mask. Saul's self-shot photographs present various stages of blending or merging her real face with the artificial contours of the mask. "The installation examines the emotions hidden behind antidepressants and the mesh of reality and non-reality of the mask," Saul noted, adding that her work hopefully "challenges viewers to re-examine their own lives and what masks they use in day-to-day life."

Maria Taylor '09 stands with her Senior Capstone Experience, "Fragments," a collection composed of 36 different charcoal and pencil drawings, offering extreme close-ups from selected images currently found in American newspapers depicting events in Pakistan, Sri Lanka, and South Korea. The result is an exploration of how everyday news depicts suffering. "By replicating images of trauma and suffering shown by the press and in the media, my project focuses on the act of exploiting the victims of tragic events as figures in elegant photographs," Taylor explained. Her goal is to de-construct this aesthetic-yet-distancing approach to the suffering of others in faraway corners of the globe. "Perhaps empathy begins with taking a closer look."

Audiences admire the hard work of this year's graduating seniors.

Students take in the artwork at Larrabee Arts Center during the 2009 Art Exhibition.

Darby Hewes stands with three of her works on display at the exhibition. Clockwise from left: "Crtical Boundary," "Fractured Entanglement," and "Periphery Enticement."

Katie E. Poore '09 admires some of the work done by fellow students in her Fundamentals of Visual Design course, taught by Lecturer in Art
Alex Castro.

Caroline Knuth '12 displays one of her works titled "Still Life" created as part of Lecture in Art
Scott Woolever's Beginning Painting course.

Kristin Tremblay '10 stands next to one of her paintings titled "Mastercopy."

WC President Baird Tipson smiles as he says a few words about the exhibition.

Many of Washington College's faculty attended the exhibition to enjoy the artwork and some refreshments.

Ed Hoegg '11, Ryan Henson '11,
Donna Weaver '11, Patrick Ortali '12, and Tracy Spielberger '11 attended the reception.

Tim Danos '10 observing a work by student Jimmy Kielek entitled "Thirsty"